The Harrow Technology Report

  http://www.TheHarrowGroup.com

Insight, analysis, and commentary on the 
innovations and trends of contemporary computing, 
and on its growing number of related technologies.

An ongoing journey towards understanding, 
and profiting from, a world of exponential 
technological growth!

Copyright © 2001-2005, Jeffrey R. Harrow.  All rights reserved.
Email: Jeff@TheHarrowGroup.com

 

THTR Extra #3 - Andy Chu on
Vinyl vs. CD.


May 5, 2003
  

I'm sure you will get many responses about this, but it's clear that a reader quoted in a past issue of this thread doesn't understand how digital audio works, and what the differences between digital and analog are.

First, his explanation shows that he is unaware of the Nyquist theorem, which is the theoretical foundation that explains why digital audio and sampling work. Without going into too much detail, basically it says that a _band-limited_ continuous waveform can be converted into a finite set of points (i.e. the samples), and back, with zero information loss. It is counterintuitive, but true, that a continuous analog waveform has contains a finite amount of information. He says that the grooves in the record "exactly mirror the original's sound waveform", which implies that vinyl has "infinite" fidelity, which is of course false. There are many reasons why the mechanical process of converting grooves to a waveform introduces an incredible amount of distortion. Vinyl has a higher noise floor and must pass through an RIAA filter which attempts to correct its poor frequency response.

The reader is also conflating fidelity vs. personal preference. Because you prefer the sound of vinyl does not imply anything about its fidelity either way. There is something known as euphonic distortion (which is caused by vinyl), which the human ear finds pleasing when applied to music. Basically part of the reason is because the distortion creates frequencies which are harmonically related to the source material. Tube amps and tapes also cause euphonic distortion. It is very common in audio production to use distorting tube amps and tapes, e.g. in rock music on drums and guitars. Frequently you will record the direct signal to a digital medium, and use tubes / tape as a signal processor by recording that signal to them, and then recording the output back onto a digital medium.

In short it is well known that digital formats (with sufficiently high sample rates, etc.) have higher fidelity than vinyl. If you prefer vinyl to CD, you would probably also prefer a vinyl record recorded to CD to an original CD. Vinyl just colors the sound in a way that some people like, which is fine, but it is a common misconception to think analog is "exact" while digital is only a finite approximation of the "exact" sound. Quite the opposite: digital has measurably higher fidelity, which again says nothing about what sounds better to a human.

Andy

 


About "The Harrow Technology Report"
 

"The Harrow Technology Report" explores the innovations and trends of many contemporary and emerging technologies, and then draws some less than obvious connections between them, to help us each survive and prosper in the Knowledge Age. 

"The Harrow Technology Report" is brought to you by Jeffrey R. Harrow, Principal of The Harrow Group. http://www.TheHarrowGroup.com .

Where To Find "The Harrow Technology Report:"

  • Via Email -- Sign up for automatic delivery of this journal (which you can also use as a notification that a new issue is available on the Web, if you prefer to read it there), by one of these methods:

        - The fastest and easiest method is to go to this Web page http://www.theharrowgroup.com/signup.asp and follow its instructions.

    Or,

        - Send an Email message to TheHarrowGroup@SendMeMore.Net with the word SUBSCRIBE in the Subject line. 


  • On The Web -- You can, of course, also read this journal directly on the Web at www.TheHarrowGroup.com  .

    - Additionally, to support automated access schemes, the most current issue of the journal will always be available at this persistent link: www.TheHarrowGroup.com/current.htm  .

     

Copyright (c) 2001-2005, Jeffrey R. Harrow. All rights reserved.

Jeffrey R. Harrow maintains that all reasonable care and skill has been used in the compilation of this publication.  However, he shall not be under any liability for loss or damage (including consequential loss) whatsoever or howsoever arising as a result of the use of this publication by the reader, his/her/its servants, agents or any third party.

All third-party trademarks are hereby acknowledged.